Dianthus Quin Gold web
Dianthus Quin Gold
belle Works On Paper Limited edition fine art reproduction on Edition Etch Textured Rag 310 gsm Alesandro Ljubicic, Dianthus Quin Gold, 2016 paper size: 100 x 100 cm image size: 90 x 90 cm edition of 90 $895 unframedavailable exclusively from Mag Shop: magshop.com.au
Royal Midday Magenta web
Royal Midday Magenta
belle Works On Paper Limited edition fine art reproduction on Edition Etch Textured Rag 310 gsm Alesandro Ljubicic, Royal Midday Magenta, 2016 paper size: 89 x 90 cm image size: 99 x 100 cm edition of 90 $895 unframedavailable exclusively from Mag Shop: magshop.com.au
Prussian-Ace-Bloom web
Prussian Ace Bloom
belle Works On Paper Limited edition fine art reproduction on Edition Etch Textured Rag 310 gsm Alesandro Ljubicic, Prussian Ace Bloom, 2016 paper size: 86 x 100 cm image size: 76 x 90 cm edition of 90 $895 unframedavailable exclusively from Mag Shop: magshop.com.au
Margot New In Situ
Margot Tenenbaum
Limited edition fine art reproduction on Elite Inkjet Fine Art 320 gsm textured cotton paper Marc Etherington, Margot Tenenbaum, 2016 image size: 80 x 72.43 cm paper size: 94.01 x 86.44 cm edition of 25 unframedMarc Etherington’s works take pop culture, childhood memories and everyday domestic life as their subject matter, rendering them through a darkly humorous and sometimes absurd lens. References to Jurassic Park, Freddy Krueger, old-school video game aesthetics and boom-boxes point to experiences of coming of age in the 1980s and 1990s, while landscapes and interiors are depicted with an eye for amusing detail.Self-taught, Etherington has maintained a consistent practice in painting and small sculpture for over a decade and more recently has worked with larger scale sculptural installations and ceramics. His sculptural works touch on themes such as mass production and collectibles.Etherington’s portraits of fellow artists, Ken Done (2016) and Del Kathryn Barton (2015) have been finalists in the Archibald Prize at the Art Gallery NSW.  He has also exhibited in John Fries Art Award at UNSW Art & Design and The Fisher’s Ghost at Campbelltown Arts Centre (both 2014). In 2015 Etherington held a solo exhibition at Hazelhurst Regional Gallery.
$650.00
King-Ken-web
King Ken
Limited edition fine art reproduction on Elite Inkjet Fine Art 320 gsm textured cotton paper Marc Etherington, King Ken, 2016 paper size: 100 x 79.95 cm image size: 86 x 65.95 cm edition of 25 unframedMarc Etherington’s works take pop culture, childhood memories and everyday domestic life as their subject matter, rendering them through a darkly humorous and sometimes absurd lens. References to Jurassic Park, Freddy Krueger, old-school video game aesthetics and boom-boxes point to experiences of coming of age in the 1980s and 1990s, while landscapes and interiors are depicted with an eye for amusing detail.Self-taught, Etherington has maintained a consistent practice in painting and small sculpture for over a decade and more recently has worked with larger scale sculptural installations and ceramics. His sculptural works touch on themes such as mass production and collectibles.Etherington’s portraits of fellow artists, Ken Done (2016) and Del Kathryn Barton (2015) have been finalists in the Archibald Prize at the Art Gallery NSW. He has also exhibited in John Fries Art Award at UNSW Art & Design and The Fisher’s Ghost at Campbelltown Arts Centre (both 2014). In 2015 Etherington held a solo exhibition at Hazelhurst Regional Gallery.
$650.00
Sydney Spider New In Situ
Sydney Spider Chart
Limited edition fine art reproduction on Elite Inkjet Fine Art 320 gsm textured cotton paper Marc Etherington, Sydney Spider Chart, 2016 paper size: 73.7 x 94.01cm image size: 59.7 x 80 cm edition of 25 unframedMarc Etherington’s works take pop culture, childhood memories and everyday domestic life as their subject matter, rendering them through a darkly humorous and sometimes absurd lens. References to Jurassic Park, Freddy Krueger, old-school video game aesthetics and boom-boxes point to experiences of coming of age in the 1980s and 1990s, while landscapes and interiors are depicted with an eye for amusing detail.Self-taught, Etherington has maintained a consistent practice in painting and small sculpture for over a decade and more recently has worked with larger scale sculptural installations and ceramics. His sculptural works touch on themes such as mass production and collectibles.Etherington’s portraits of fellow artists, Ken Done (2016) and Del Kathryn Barton (2015) have been finalists in the Archibald Prize at the Art Gallery NSW. He has also exhibited in John Fries Art Award at UNSW Art & Design and The Fisher’s Ghost at Campbelltown Arts Centre (both 2014). In 2015 Etherington held a solo exhibition at Hazelhurst Regional Gallery.
$650.00
Indeterminate-depth-and-space-web
Indeterminate depth and space
Limited edition fine art reproduction on Elite Inkjet Fine Art 320 gsm textured cotton paper Lucy Vader, Indeterminate depth and space, 2016 paper size: 89 x 91.1 cm image size: 75 x 76.1 cm edition of 25 unframedUnsurprisingly for someone whose family has farmed for generations, Lucy Vader conveys a landscape that has been both seen and felt. She applies paint in thick, sumptuous layers blurring the boundary between abstraction and representation. Stand close to one of Vader’s works and her brushstrokes draw you into a richly textured world of deep colours – green, yellow, red and blue. Move away from the canvas and wide, grassy paddocks emerge, frequently populated by sheep – golden and camouflaged against parched yellow land, or with bright white fleeces that contrast with rain-restored grass. Vader’s sheep graze, run off or just look inscrutable, contributing a light-heartedness for which she has become known.Vader has degrees in both Fine Art and Architecture. She is also an accomplished sculptor and has exhibited in Sculpture by the Sea.
$650.00
Sleep when the day is done_in situ
Sleep when the day is done
Limited edition fine art reproduction on Elite Inkjet Fine Art 320 gsm textured cotton paper Lucy Vader, Sleep when the day is done, 2016 paper size: 89 x 89.28 cm image size: 75 x 75.28 cm edition of 25 unframedUnsurprisingly for someone whose family has farmed for generations, Lucy Vader conveys a landscape that has been both seen and felt. She applies paint in thick, sumptuous layers blurring the boundary between abstraction and representation. Stand close to one of Vader’s works and her brushstrokes draw you into a richly textured world of deep colours – green, yellow, red and blue. Move away from the canvas and wide, grassy paddocks emerge, frequently populated by sheep – golden and camouflaged against parched yellow land, or with bright white fleeces that contrast with rain-restored grass. Vader’s sheep graze, run off or just look inscrutable, contributing a light-heartedness for which she has become known.Vader has degrees in both Fine Art and Architecture. She is also an accomplished sculptor and has exhibited in Sculpture by the Sea.
$650.00
There’s-only-us-web
There’s only us
Limited edition fine art reproduction on Elite Inkjet Fine Art 320 gsm textured cotton paper Lucy Vader, There's only us, 2016 paper size: 101 x 72.45 cm image size: 86 x 57.45 cm edition of 25 unframedUnsurprisingly for someone whose family has farmed for generations, Lucy Vader conveys a landscape that has been both seen and felt. She applies paint in thick, sumptuous layers blurring the boundary between abstraction and representation. Stand close to one of Vader’s works and her brushstrokes draw you into a richly textured world of deep colours – green, yellow, red and blue. Move away from the canvas and wide, grassy paddocks emerge, frequently populated by sheep – golden and camouflaged against parched yellow land, or with bright white fleeces that contrast with rain-restored grass. Vader’s sheep graze, run off or just look inscrutable, contributing a light-heartedness for which she has become known.Vader has degrees in both Fine Art and Architecture. She is also an accomplished sculptor and has exhibited in Sculpture by the Sea.
$650.00
one-lump-or-two-web
One Lump or Two
Limited edition fine art reproduction on Elite Inkjet Fine Art 320 gsm textured cotton paper Denise Faulkner, One Lump or Two, 2016 paper size: 68 x 93 cm image size: 61 x 86 cm edition of 25 unframedDenise Faulkner traded in her former city life for a small bush block just outside Mudgee. She finds enjoyment observing the local birds as they flit and chatter. What began as a documentation of local bird species, has since developed into a playful exploration of the inquisitive personalities of the native birds.The bold flash of red from a visiting rosella is a familiar sight for many Australians enjoying a cup of tea. Faulkner positions her birds in amongst Victorian era porcelain, an imagined setting that speaks to the charm of small birds, inviting themselves around for a ‘cuppa’.These Watermark works on paper reproduce Denise Faulkner’s exquisite watercolours on hand-made paper. Each work captures birds with individual charisma.
$650.00
denise-faulkner_bower-bird_installation-image_webready
Tower Bower
Limited edition fine art reproduction on Elite Inkjet Fine Art 320 gsm textured cotton paper Denise Faulkner, Tower Bower, 2016 paper size: 93 x 68 cm image size: 86 x 61 cm edition of 25 unframedDenise Faulkner traded in her former city life for a small bush block just outside Mudgee. She finds enjoyment observing the local birds as they flit and chatter. What began as a documentation of local bird species, has since developed into a playful exploration of the inquisitive personalities of the native birds.The bold flash of red from a visiting rosella is a familiar sight for many Australians enjoying a cup of tea. Faulkner positions her birds in amongst Victorian era porcelain, an imagined setting that speaks to the charm of small birds, inviting themselves around for a ‘cuppa’.These Watermark works on paper reproduce Denise Faulkner’s exquisite watercolours on hand-made paper. Each work captures birds with individual charisma.
$650.00
leith-maguire_framed-series-3
Australian Series – Untitled 3
Limited edition fine art reproduction on Elite Inkjet Fine Art 320 gsm textured cotton paper Leith Maguire, Australian Series - Untitled 3, 2016 paper size: 100 x 80 cm image size: 86 x 66 cm edition of 25 unframed
$650.00
untitled-2-australiana-series
Australian Series – Untitled 2
Limited edition fine art reproduction on Elite Inkjet Fine Art 320 gsm textured cotton paper Leith Maguire, Australian Series - Untitled 2, 2016 paper size: 80 x 100 cm image size: 66 x 86 cm edition of 25 unframed
$650.00
leith-maguire_framed_series-1
Australian Series – Untitled 1
Limited edition fine art reproduction on Elite Inkjet Fine Art 320 gsm textured cotton paper Leith Maguire, Australian Series - Untitled 1, 2016 paper size: 80 x 100 cm image size: 66 x 86 cm edition of 25 unframed
$650.00
denise-faulkner_knave-of-hearts_hanging-image
Knave of Hearts
Limited edition fine art reproduction on Elite Inkjet Fine Art 320 gsm textured cotton paper Denise Faulkner, Knave of Hearts, 2016 paper size: 93 x 68 cm image size: 86 x 61 cm edition of 25 unframedDenise Faulkner traded in her former city life for a small bush block just outside Mudgee. She finds enjoyment observing the local birds as they flit and chatter. What began as a documentation of local bird species, has since developed into a playful exploration of the inquisitive personalities of the native birds.The bold flash of red from a visiting rosella is a familiar sight for many Australians enjoying a cup of tea. Faulkner positions her birds in amongst Victorian era porcelain, an imagined setting that speaks to the charm of small birds, inviting themselves around for a ‘cuppa’.These Watermark works on paper reproduce Denise Faulkner’s exquisite watercolours on hand-made paper. Each work captures birds with individual charisma. The images are taken from Faulkner’s series, 10 Impossible Things Before Tea, a collection of bright, elegant paintings, with all the quirks and charm of Alice’s wonderland, transported somewhere in the Australian bush They are a cheeky nod to the classic line from Lewis Carroll’s most famous tea drinker.
$650.00