BIG THINGS are happening.

There are well over 200 BIG THINGS across Australia and you can find them in every state and territory.

They say the average Aussie has visited at least one of them; more than half of us will stop when we see one; most of us have a favourite; and nearly everyone has an opinion about what’s missing.

Iconic Australian structures make up this latest exhibition from Jo White, from the Golden Guitar to the Big Prawn, her love of Australiana and classic vehicles on full display.

JO WHITE’s ‘Big Things’ is coming to Murra from 19 January 2023.

Contact jamesstokes@michaelreid.com.au for more info

Hannah van der Wal’s Yirrkala Nights explores the depths of night in the Northern Territory.  These subtle compositions beautifully capture the uncaptured, conveying the dreamlike qualities of nighttime in the bush.

“Hannah paints the abstracted elements, or mind grabs of the land she experiences in her travels. A single detail, within a vast landscape, will capture her attention and become the essence of the whole.

Hannah is in my not so humble opinion an important emerging talent and one we are proud to amplify to our audience.”

Michael Reid OAM

Kate Sellars-Jones” career has been entirely immersed in the creative world. Beginning life as a graphic designer, she turned to practices of a more artistic kind allowing development in painting, illustration and product design. Oil painting now dominates her art practice, which is informed by her astute appreciation of design, colour and composition.

Sellars-Jones’ talents are on full display in this beautiful series of “Staffordshire” paintings. These figurines, came to represent the culture of their time, depicting both the mundanity of daily existence along with both fame, crimes and scandals of the day. They are both charming and innocent, menacing and cruel, while loaded with social and political references.

“I am intrigued by the stories behind these small statues, from over 200 years ago, acting much like the social media of their time, to which I apply my own contemporary spin to the scenario. The aim is to encourage the viewer to observe more closely an alternative representation, and ponder ways in which our fears, desires, daily rituals and behaviour may, or may not, have evolved.”

Michael Reid Murrurundi is proud to present Aboriginal Artefacts from Private Collections. This collection celebrates the history and use of clubs, boomerangs and shields in Aboriginal culture. The necessary tools and equipment used for hunting, fishing, and warfare, were some of the few items that Aboriginal communities carried with them from place to place. To be an object carried was to be important, to the needs of the individual and community.

Most objects were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. Far more significant however, than the rarity of finding such a wooden artefact intact, this Nulla Nulla has two major attributes rarely found in combination: these being the impact on the weapon made by early European contact and the know, highly specific provenance as to the objects place of discovery and time.

An Aboriginal club, otherwise known as a nulla-nulla, could be used for a variety of purposes such as for hunting, fishing, digging, warfare and in ceremonies.

The boomerang is recognised by many as a significant cultural symbol of Australia. The term ‘returning boomerang” is used to distinguish between ordinary hunting and warfare boomerangs and the small percentage which, when thrown, will return to its thrower. The oldest wooden boomerang artefact known, excavated from the Wyrie Swamp, South Australia in 1973, is estimated to be 9,500 years old. Boomerangs could be used as hunting or fighting weapons; for digging; as cutting knives; for making fire by friction and as percussion instruments for making music.

Shields were mainly used by Aboriginal warriors to defend themselves in dispute battles, often for territory. A shield which had not lost a battle was thought to be inherently powerful and was a prized possession. Shields were made from wood or bark and usually had carved markings or painted designs. They could also be used in ceremonies such as in corroborees.